{"id":1237,"date":"2018-10-22T21:31:03","date_gmt":"2018-10-22T19:31:03","guid":{"rendered":"http:\/\/www.sebastianmatthias.com\/?page_id=1237"},"modified":"2019-12-06T17:07:59","modified_gmt":"2019-12-06T16:07:59","slug":"marienvesper","status":"publish","type":"page","link":"https:\/\/www.sebastianmatthias.com\/en\/works\/marienvesper\/","title":{"rendered":"Marienvesper"},"content":{"rendered":"<p>The staging of the &#8220;Marienvesper&#8221;, Monteverdi\u2019s &#8220;Vespers of the Blessed Virgin&#8221;, in the Jesuit Church in Lucerne revolves around the dynamic interplay of music, dance and spatial experience. Kostas Murkudis&#8217; built-in components, especially designed for the &#8220;Marienvesper&#8221;, restructure the sacred space and create a multi-dimensional stage on which the 13 instrumentalists, nine singers and eleven dancers as well as an audience of up to 300 people can move freely.<\/p>\n<p>The choreography of the musicians enables a spatial experience of the music. With the movement of the &#8220;sound sources&#8221;, the &#8220;Marienvesper&#8221; unfold into the space, so that the listeners can &#8220;follow&#8221; each single voice. The choreography of the dancers reinforces the sensation of listening to the music and gives it a timbre or a tactile level. Thus, a multisensory overall experience is possible that appeals to all the senses: The staging in the room creates the conditions for a physical experience and a differentiated listening to one of Monteverdi&#8217;s most outstanding works, and enables a collaborative experience in the interplay of word, sound and movement.<\/p>\n<p>The different spatial levels offer different perspectives on the scenery and the participants. This dynamic way of staging allows for a fundamental reflection on what community is and can be. How do I relate to other people? To my neighbour in the audience? Which role do I take?<\/p>\n<p>The Jesuit Church lends the staging an additional spiritual dimension: In the church, the performance can become a liturgical installation. Given that the seating of churches only became common in the Reformation era (starting from Protestant territories), this form of performance in a way approximates the work to old forms of church services.<\/p>","protected":false},"excerpt":{"rendered":"<p>The staging of the &#8220;Marienvesper&#8221;, Monteverdi\u2019s &#8220;Vespers of the Blessed Virgin&#8221;, in the Jesuit Church in Lucerne revolves around the dynamic interplay of music, dance and spatial experience. Kostas Murkudis&#8217; built-in components, especially designed for the &#8220;Marienvesper&#8221;, restructure the sacred space and create a multi-dimensional stage on which the 13 instrumentalists, nine singers and eleven [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":160,"menu_order":13,"comment_status":"closed","ping_status":"closed","template":"theme_productions_item.php","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.sebastianmatthias.com\/en\/wp-json\/wp\/v2\/pages\/1237"}],"collection":[{"href":"https:\/\/www.sebastianmatthias.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sebastianmatthias.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sebastianmatthias.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sebastianmatthias.com\/en\/wp-json\/wp\/v2\/comments?post=1237"}],"version-history":[{"count":10,"href":"https:\/\/www.sebastianmatthias.com\/en\/wp-json\/wp\/v2\/pages\/1237\/revisions"}],"predecessor-version":[{"id":1362,"href":"https:\/\/www.sebastianmatthias.com\/en\/wp-json\/wp\/v2\/pages\/1237\/revisions\/1362"}],"up":[{"embeddable":true,"href":"https:\/\/www.sebastianmatthias.com\/en\/wp-json\/wp\/v2\/pages\/160"}],"wp:attachment":[{"href":"https:\/\/www.sebastianmatthias.com\/en\/wp-json\/wp\/v2\/media?parent=1237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}